Producing orchestral music with spicy drums and synth bass on external gear is my specialty. Almost all my music in my personal discography has been made on Windows 95, 2000 and NT 4.0 in conjunction with physical synthesizers. I hold all of my gear and music I make very close to me. It may be a largely unpopular method to produce music these days, but I wouldn't change it for the world.

• Instagram
• SoundCloud
• Fiverr
• [email protected]

I have produced music many years before I was comfortable enough including any of my work in a portfolio, but this is the first release under my public SoundCloud profile. The album was fully produced on Ableton with VSTs, so this was before I obtained my first external synthesizer.

This is my first track whose instrumental was produced externally. The XV-5080 was THE only synth utilized to create the instrumental from scratch, alongside Peter Siedlaczek's Advanced Orchestra and Classical Choir series of sample CDs emulated on the ZuluSCSI chain. This is close to the same configuration as Keith and Matthew Strachen had in their studio at the time to produce the soundtrack for Who Wants To Be A Millionaire. I was a huge fan of the series growing up as a child, and I had only recently at the time discovered the exact sample CDs used for the soundtrack which I had been finding for years. From that point on, I decided this is exactly how I will produce my music.

After quite a long period had passed, I had to release something. Behind the scenes I had finished making a bunch of new music. This track's instrumental was produced with external gear but vocals were recorded and mixed on Ableton.

Then I had finally finished recording vocals on Ableton for this EP containing covers of some of the most well known songs from different sources. The instrumentals were still produced on the XV-5080, but was produced on Windows 2000 with an SF2 VST in addition. Nessun Dorma is one piece of work I am especially proud of.

The first song with my at the time new configuration came about this day, greatly taking inspiration after The Cat Concerto episode of Tom and Jerry and Pochonbo Electronic Ensemble's own rendition of Hungarian Rhapsody No. 2.

Before going abroad this month, I wanted to do my own cover of the finale of William Tell Overture. An adventurous sounding piece it has turned out to be!

This was a fun piece to work on, inspired by an acquaintance from an online community after finding myself singing "figaro" on a Discord voice chat and repeating me. When I sent him the final product via direct messages, I knew he would like it!

I wanted to make this cover of La Donna è Mobile by Verdi to accompany my previous track when performing these two songs together for other when I have the chance to. The legendary Luciano Pavarotti was possibly most known for singing this numerous times in concert halls.

The first track to be produced including the sounds of the Kurzweil K2500R. This was a pretty difficult one, so much that I truncated the sequence of my cover. Looking back now, the full piece should have really been covered. Oops.

The second EP of my favourites highlights some of the dance oriented music I used to listen to in my secondary school years, made as close my current style as possible. I remember these times far too well...